|Rath Yatra - Puri Jagannath|
Akshaya Trutiya tithi marks the beginning of the construction of the Rathas (chariots) for the ceremonial journey and sojourn of Lord Jagannath, Balabhadra and Subhadra at the Gundicha Temple for a week.
On the full-moon day of the month of Jyestha (May-June) in the Snana Yatra, the Bathing Festival, when the three deities move in colourful processions to a platform in the outer enclosure of the temple, the Snana Vedi, the bathing platform, where they bath with one hundred and eight pitchers of perfumed water drawn from a temple well once a year. After the ritual bath, the deities assume the special elephant form, recalling the legend of the Lord's affection for a devotee, whom He proved that he was in fact another manifestation of Lord Ganesha.
Bhagwan Jagadish Ratha Yatra
(Ashadh Shukla Dwitiya)
Sat, 18 July 2015
At the end of the Snana Yatra day, the holy triad,supposedly afflicted with fever, do not return to their pedestal in the sanctum.they stay away from the public view for a period of fifteen days, called Anasara, after which they appear in their Navayauvana Vesha, literally a renewed youth, on the new moon day of the Month of Ashadha.During this fortnight the icons get a fresh coat of painting which gets washed out on the day of the Bathing Festival. During this period the deities eat only fruits other restricted diet and soft drinks.Cloth paintings. representing the deities called Anasara Pati, are displayed beyond the enclosures hiding the deities from the devotees to see and worship.
Finally comes the Ratha Yatra on the second day of the bright fortnight of the month of Ashadha, when the three deities come out of the temple in a specacular procession called Pahandi. The deities, which are colossal wooden statues, adorned with giant floral crowns, called Tahias, are literally pulled, pushed and dragged in rhythmic movement to the accompaniment of the beat of cymbals,drums and chanting of their names in chorus by devotees in frenzied ecstasy. After all the deities are seated in their respective chariots starts the Chhera Pamhara, the ritual of sweeping of the chariots with a golden broom by the Gajapati King of Puri,the foremost servant of God,the Adya sevaka of Lord Jagannath. The King comes from his palace on a richly decorated palanquin. Chhera Pamhara is a symbolic rite which proclaims that the King, like others, is but an humble servant of the real sovereign, Lord Jagannath.
|Rath Yatra - Ahmedabad|
Godess Laxmi,who gets angry for being left out at the temple, proceeds to the Gundicha temple to meet her Lord, Jagannath , on the Hera Panchami day,the fifth day of the fortnight. After having a stealthy look at her Lord, she returns to the temple, damaging a part of Jagannath's chariot in anger and disgust.
The deities, after the seven-day stay at Gundicha Temple, their garden house, commence their return journey. It is called Bahuda Yatra held on the tenth day of bright fortnight of Ashadha. The return of the chariots takes place in the same order as in the Rath Yatra. Balabhadra’s chariot moves first,followed by those of Subhadra and Jagannath. On his way back,Jagannath stops for a while at Ardhasani temple,popularly called Mausi Ma temple or the temple of Aunt. He accepts from the aunt His favourite rice cake,Poda Pitha. The three chariots pulled by thousands of devotees,reach back the Simhadwara in the late afternoon of the Bahuda day and the deities remain seated on their chariots.
On the next day known as the Bada Ekadasi,the three deities, are attired in costumes of glittering gold and are worshipped by thousands of devotees. This form of the deities is known as the famous Suna Vesa.
On the Dwadasi day, the three deities go back to their original place,the Ratna Simhasana, literally the jewelled platform, with the usual fanfare and the Pahandi style.Their arrival into the Sanctum sanctorum marks the end of the RathaYatra the grand festival of chariots.